3244 Tupperware dinner party

1 month, 160 hours of train, 9 countries,...

Nederland, Norway, Finland, Poland, Austria, Rep. Czech, Slovenia, Serbia, Turkey.
Dutch ceramic, Scandinavian needlework, Polish Amber, Bohemian glass, Vienese silver, Balkan wood, Turkish carpet.
Mug, Plate, Table cloth, Napkin, Napkin Ring, Glass, Carafe, Candle Holder, Salt Cellar, Cuttlery, Tea Pot, Tea Cup, Table, Carpet, Chair, Bowl, Spoon, Trunk.

This blog was the diary of my journey through Europe. From Norway to Turkey, I met with different artists, different craftmen, different cultures and places...
You can click on older post or in the archive click on the different countries. thank-you

Friday, May 6, 2011

Slovenia



21:25



Nina took me to the coast of Slovenia, where she comes from.



Behind the ethnographic museum.
Metelkova
Clogs, Gorenjska, first half of the 19th century.




Chair, Skadanscina, Primorska, 19th century.



Wooden bowls display.

Cradle, Visnjevik, Primorska, 1890



Dormouse trap.


 

Scale model of Simoncic's toplar, hayrack.
This ancient but still fuctionnal structure -of weathered wood
or worn concrete, usually roofed, used for the drying sheafs of 
grain, clover, beans or hay- is one of those cultural elements 
that the majority of Slovenes recognise as part of "their" heritage
and national identity.





Textile sample.



Regional cultural diversity
Map of national dress.


We live in the Empire of Things. 
Things clothe us, surround us in our homes, at work, in our free time. 
Things help us to survive and to enjoy ourselves. 
Without them, there is no life and they are also an inexhaustible 
source of material, social and spiritual longing.
Things are crafted by the mind and the hand of the people, 
originating from the soul of the nation.


Chinese women shoes.


Stereotype and Prejudice.
Museums, too, can knowingly or unwrittingly perpetuate or even create 
stereotypes and prejudices, in particular when presenting remote cultures.
This can easily happen when the space available does not allow for one or 
more cultures to be presented in all their diversity and richness. Museum
 workers are thus forced to generalise and simplify. In doing so we trend to focus 
on the difference our own culture and foreign ones. Forced to show the exotic 
nature. And therein lies the greatest danger of stereotyping, which can turn into
prejudice. This is why we deliberately exhibit two such objects: a tsantsa, or 
shrunken, preserved head from the South American Shuar or Jivaro Indians of 
Ecuador; and shoes worn by Chinese women whose feet had been deformed in
line with the beauty ideals of their time. The two objects shock the observer
as material proof of the cruelty of two alien cultures and, in the absence of any 
other information, they could very quickly assume the main role in the 
presentation of these cultures. And, in comparison to them, our western 
civilisation seems so much more "civilised". But it is easily forgotten that in 
the West, too, it is possible to find, here and now, equal material proof of
cruelty: and who knows what will in future be considered violent and
 unacceptable that we today consider perfectly normal.      

Tsantsa.



Ethnographic Museum Ljubljana.